Too early at the airport
Originally shared in a Kling 4.0 thread. A sleepy traveler vlogs at an airport gate, interrupted by coffee, an announcement and a yawn.
The creator’s original prompt
Raw vertical 9:16 selfie video shot on a phone's front camera held low at chest height while she sits, one continuous 30-second take with no cuts. It looks like an ordinary unedited phone clip, not a film: slightly soft image, a little digital noise and compression, deep focus so the gate area behind her is as sharp as her face, flat white overhead light mixed with pale daylight from the big windows, no colour grading. The phone rests in her hand near her knee, so the angle is a little low and drifts as she shifts in her seat. Sadie, a young woman in her early 20s with long honey-blonde waves in a loose low ponytail, no makeup, small gold hoop earrings, an oversized grey crew-neck sweatshirt with no print and black leggings, sits in a row of connected grey seats at an airport gate early in the morning, a small carry-on suitcase beside her knee and a paper coffee cup with no logo in her free hand. Behind her: a wall of tall windows with a parked plane on the tarmac in pale morning light, other travellers sitting with bags, a man on a phone call pacing slowly, someone asleep with their hood up, a gate desk far off with screens too small and distant to read. Around 9 s she sips her coffee. Around 15 s she glances over her shoulder toward the gate desk as an announcement plays, listens, then turns back. Around 23 s she yawns behind her hand mid-sentence and laughs at herself. [Sadie: casual young woman's voice, quiet and a little croaky from the early start, keeping it down because she's in a public place, recorded on the phone's built-in mic]: "Okay, it is way too early. ... I've been up since four. ... But I'm surprising my best friend for the weekend, and she has no idea, so... worth it. ... Wait, is that us? ... No. Not us. ... Okay. Forty minutes. I'm getting another coffee. Don't judge me." Audio as captured by the phone mic in a huge, hard-surfaced airport terminal, not studio clean: her voice soft and close on top, with the wide, echoey hum of the terminal all around it; at around 15 s a two-tone chime and then a boarding announcement over the PA, distant, echoing and unintelligible; suitcase wheels rolling past on the hard floor; a coffee machine hissing at a kiosk; low murmured conversations from nearby seats; a child chattering a few rows away; a jet engine whining faintly through the glass; her sweatshirt rustling when she moves. No subtitles, no captions, no on-screen text.View the creator’s prompt post
Adapted prompt for remixing STUDIO EDIT
Shortened from the original for the studio, with replaceable details.
Raw vertical 9:16 front-camera phone selfie, one uncut 30-second take. Soft compressed image, light digital noise, deep focus showing the gate area clearly; flat overhead lights and pale morning daylight, no grading. {{name}}, early 20s, honey-blonde low ponytail, gold hoops, oversized grey sweatshirt and black leggings, sits at an airport gate with a small carry-on and a plain coffee cup. Her phone rests low in her hand near her knee and drifts as she shifts. Behind her are tall windows, a parked plane, seated travelers, a pacing caller and a distant unreadable gate screen. At 9s she sips coffee. At 15s a two-tone PA chime interrupts; she looks back at the gate desk, listens and turns back. At 23s she covers a yawn and laughs. Quiet croaky voice: "Okay, it is way too early. I have been up since four. But I am surprising my best friend for the weekend, and she has no idea, so... worth it. Wait, is that us? No. Not us. Okay. Forty minutes. I am getting another coffee. Do not judge me." Phone-mic sound: close soft voice in a large echoing terminal, unintelligible PA, suitcase wheels, coffee-machine hiss, murmured conversation, distant child, faint jet whine and sweatshirt rustle. No subtitles, captions or text.Bring your materials
原作由作者标注 Kling 4.0。所选提示词完整描述人物外观、场景与动作，没有要求上传特定人物图或其他素材；本站按文生视频适配，不承诺复现相同人物身份。原词明确 30 秒；720p 为本站推荐值，原视频的上传分辨率不视为原始生成参数。 原词明确 9:16、现场说话及广播声，保留竖屏和音频。 The author labels the source Kling 4.0. The selected prompt fully describes its characters, setting and action and requires no particular character image or external asset. This text-to-video adaptation does not promise the same character identity. The prompt explicitly specifies 30 seconds; 720p is our recommendation, and upload resolution is not treated as an original generation setting. The prompt explicitly specifies 9:16, dialogue and an announcement; portrait framing and audio are retained. 完整作者原词独立保留；本站使用单独的 Seedance 2.5 适配版，尚未实测，不保证与原模型或原片一致。预览为原帖视频（source_embed），不代表本站拥有媒体。 / The complete shared prompt is preserved separately. The editable Seedance 2.5 adaptation is untested and does not guarantee the same result as the source model or clip. The preview embeds the original X video (source_embed); this is not a claim of media ownership.
Original post record
4. UGC character at the airport PROMPT: Raw vertical 9:16 selfie video shot on a phone's front camera held low at chest height while she sits, one continuous 30-second take with no cuts. It looks like an ordinary unedited phone clip, not a film: slightly soft image, a little digital noise and compression, deep focus so the gate area behind her is as sharp as her face, flat white overhead light mixed with pale daylight from the big windows, no colour grading. The phone rests in her hand near her knee, so the angle is a little low and drifts as she shifts in her seat. Sadie, a young woman in her early 20s with long honey-blonde waves in a loose low ponytail, no makeup, small gold hoop earrings, an oversized grey crew-neck sweatshirt with no print and black leggings, sits in a row of connected grey seats at an airport gate early in the morning, a small carry-on suitcase beside her knee and a paper coffee cup with no logo in her free hand. Behind her: a wall of tall windows with a parked plane on the tarmac in pale morning light, other travellers sitting with bags, a man on a phone call pacing slowly, someone asleep with their hood up, a gate desk far off with screens too small and distant to read. Around 9 s she sips her coffee. Around 15 s she glances over her shoulder toward the gate desk as an announcement plays, listens, then turns back. Around 23 s she yawns behind her hand mid-sentence and laughs at herself. [Sadie: casual young woman's voice, quiet and a little croaky from the early start, keeping it down because she's in a public place, recorded on the phone's built-in mic]: "Okay, it is way too early. ... I've been up since four. ... But I'm surprising my best friend for the weekend, and she has no idea, so... worth it. ... Wait, is that us? ... No. Not us. ... Okay. Forty minutes. I'm getting another coffee. Don't judge me." Audio as captured by the phone mic in a huge, hard-surfaced airport terminal, not studio clean: her voice soft and close on top, with the wide, echoey hum of the terminal all around it; at around 15 s a two-tone chime and then a boarding announcement over the PA, distant, echoing and unintelligible; suitcase wheels rolling past on the hard floor; a coffee machine hissing at a kiosk; low murmured conversations from nearby seats; a child chattering a few rows away; a jet engine whining faintly through the glass; her sweatshirt rustling when she moves. No subtitles, no captions, no on-screen text.
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